Seattle Times columnist handwrites everything for 2 days | Poynter.

From Poynter:

"She hand wrote everything. Tweets. Texts. Emails. Everything was scrawled on a piece of paper and photographed on her cellphone. Guzman wrote about 130 handwritten notes over two days, a feat that cramped her hands and reminded her of the convenience of typing.

"In her column (which was, of course, also handwritten), she describes exactly why and how she undertook the project, which was inspired by an Atlantic article whose author experimented with sending all her messages in calligraphy.

“‘I didn’t do it because I like handwriting, though I do. I did it to hack my brain. To make it slow down and notice the flurry of digital mutterings it writes and sends so easily, they barely register as mutterings at all.’”



natgeofound:

Palm trees and a photographer cast shadows on the ocean’s surface near Tahiti Island, Polynesia, May 1996. Photograph by Jodi Cobb, National Geographic Creative

natgeofound:

Palm trees and a photographer cast shadows on the ocean’s surface near Tahiti Island, Polynesia, May 1996. Photograph by Jodi Cobb, National Geographic Creative



Five of the South's Great Independent Bookstores



"Duet," animated and directed by legendary former Disney animator Glen Keane for Google’s I/O ATAP project.

"Keane was trained by Walt Disney’s hand-picked elite squad of animators known as the ‘Nine Old Men.’ Their influence is felt in much of his work, but especially so in Duet, reminiscent as it is of studio classics like Dumbo and Fantasia. But there’s also a hint of other influences here. (Expressionism and director Chuck Jones’ Looney Tunes shorts come immediately to mind.) And the limited color palette really serves to highlight Keane’s style in a way that few Disney features (with their armies of artists) have. Fingers crossed we see more of this from Keane in the future. Computer animation is still the favored medium of studio chiefs, but for my money it’s the hand-drawn stuff that wires a viewer directly into the brain of an artist.” -Joseph McCabe, "Disney Nerds: You Need to Watch Animator Glen Keane’s Gorgeous DUET Now"



newspaperblackout:

Blackout poetry by Austin Kleon, author of Steal Like An Artist

See more blackouts on Instagram→



(Source: lecterings)



How Harry Potter Fans Are Changing Hollywood -- And The World

From Forbes:

Slack and the Green brothers understood what so many nonprofit leaders have historically failed to grasp: namely, that the way to get people to care about ‘serious issues’ was not through ‘serious talk’ by ‘serious people’—but instead to appeal to the characters and stories they already care about and the social identities and networks they already inhabit. They understood that, if effectively mobilized, the modern fan community could do more in minutes than most nonprofit communications teams could do in years.”



I want her to do well and succeed, and I love her. Every time I get to play her, I love her exuberance. I’m lazier and more cynical and more checked out than she is. To have a hero that’s all in, is cool. There’s nothing cool about her. She has no game. She has no tricks. Everything you know about her is face value, and she tells everybody all the time how she’s feeling. What’s cool about her is there’s nothing cool about her.
Amy Poehler, on why she loves playing Leslie Knope

(Source: indiewire.com)



Inspired by this and this

(Source: halfagony-halfhope)



humansofnewyork:

"I still see the same people on the corner that were there when I was eleven years old. It’s tough to evolve when your surroundings never change. So I wasn’t sure that I could be the one to make it out. The first time I took the GED, I failed. But for two months after that, I did practice tests everyday. And my aunt is a teacher, so when she was finished grading her papers, she’d help me break down all the problems that I couldn’t figure out. And there were a lot of people in my corner. My mom encouraged me, and my sister, and my grandmother. Then the second time I passed. It felt so good to see something in yourself, and then to see it come true."

humansofnewyork:

"I still see the same people on the corner that were there when I was eleven years old. It’s tough to evolve when your surroundings never change. So I wasn’t sure that I could be the one to make it out. The first time I took the GED, I failed. But for two months after that, I did practice tests everyday. And my aunt is a teacher, so when she was finished grading her papers, she’d help me break down all the problems that I couldn’t figure out. And there were a lot of people in my corner. My mom encouraged me, and my sister, and my grandmother. Then the second time I passed. It felt so good to see something in yourself, and then to see it come true."